Blending Flamenco guitar with the music of our century, Pau Figueres is one of today’s most talented and interesting Spanish guitarists. Worthy successor of this beautiful instrument’s best tradition, he pushes its limits to new grounds with his original compositions, his unique and deep understanding of music and an overwhelming technical ability.
Whoever dares to say that this man does not sound flamenco has not understood anything.
Pau Figueres–Metheny–de Lucía. Mindblowing eclecticism.
Mediterranean, bright and Flamenco, his guitar moves from local towards Universal.
As if by a miracle, life kept unfolding. One surprise after another, a complete, mature, natural sonic ecosystem, evolving layer by layer like life itself, without asking for permission, without giving explanations, in real time and space, full of creativity and beauty.
The acoustic sound of the guitar seems to filter through some conduct, as if it were an alembic.
It is an absolute pleasure to verify the supreme subtlety and elegance in the handling of the strings of this young exponent of polysemy in the Catalan guitar. Pau never ceases to bring light to any hint of shadow and shows how to make use of technology to turn it into an organic heartbeat naturally integrated to the touch of nail and flesh. As the maestro would say, both Renaud Garcia-Fons and Pau are the providential example of how to carry out the revolution of sounds in a silent way.
With ‘Nada Nuevo Bajo el Sol’, Pau Figueres opens new horizons and enters through the door of the great names of the guitar.
He has power. With the eloquence of those who know, while sensitivity flows from their fingers, Pau Figueres moved people almost without realizing it. Accompanied by three musicians as moderate as they are essential, he proposed an open and unapologetic flamenco, avoiding percussive chords and high points, in favor of expressiveness and improvisation.
Overflying music, doors and genre labels; expanding far and wide with an intelligence and talent out of the ordinary and uncommon for his age; with the weight of those who have spent several lives living for the same thing; This is how Pau Figueres takes his place in the musical universe… and this is how I have always felt his clear and strong artistic voice. All the different musical traditions are, for him, tools with which to build his magical and singular language; and he masterfully conquers all the mysteries that each one contains.
His musical approach puts the guitar in a great direction for the instrument in a changing world. Modern Flamenco tends to unite Middle-Eastern and Western cultures in a manner that is politically neutral while retaining universal appeal.
Not enough is said about this guitar prodigy that has fascinated Alejandro Sanz, C. Tangana and Rufus Wainwright. This third solo album opens paths for the nylon strings, stealthily understanding both organic sources and synthesized textures, always at the service of the song, giving off a virtuosity with soul in moving pieces like the title track or ‘Andalucía’.
What is Pau Figueres’ way of understanding the guitar? That of a virtuous, exquisite musician, and at the same time recursive, restless and even daring. Avant-garde, yes, and also a lot of beauty. Art, lots of art.
